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Featuring smooth, pitched-up vocals and a seemingly effortless verse for Saba, this is one of the highlights of the project.įollowing “Fearmonger (feat. Eryn Allen Kane)” details the events that Saba took for granted before his musical success, including his love life. Like most of his tracks, Saba’s lyrical ability compliments the instrumentals, with few hiccups. G Herbo)” has a bass-heavy instrumental that makes it sound upbeat and lively, the tell-all track shares Saba’s experience making it out of Chicago, despite witnessing and living through hardships. This flows smoothly into “One Way or Every N***a With a Budget,” which is a soulful, uplifting track that serves as a self-celebration for Saba’s much-deserved success in the music industry.Īlthough “Survivor’s Guilt (feat. Cheflee).” After Cheflee’s melodic intro comes Saba’s impressive verse, which touches partly on his upbringing in Chicago and the controversy that comes with starting to make money. The album starts off with a moving performance on “Free Samples (feat. To put it bluntly, this album is an emotional rollercoaster with few negatives to showcase. Although the title of the album is fitting for the theme of most of the songs, Saba does get into the positives as well.
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Saba has never shied away from vulnerability in his music, and he continues to deliver telling tracks and emotional stories throughout this project. The Chicago-based artist turned heads with his 2018 project coming off of such an impressive effort, it was difficult to imagine Saba being able to stay consistent in quality with “Few Good Things.” Although the two albums are not very comparable sonically or thematically, it’s safe to say Saba exceeded expectations yet again. Nearly four years after his sophomore album, “CARE FOR ME,” Saba finally released his newest album, “Few Good Things,” Friday. “Sound has such potential, and needs to be split, cracked, slammed, caressed, kissed, sunk, buried, catapulted into new dimensions in order to begin a dialogue of the universes,” Mazurek observes.Saba performs during the first day of the 2019 Lollapalooza music festival in Grant Park Aug.
#KRAYZIE BONE ALBUMS 2012 SERIES#
Rather than stretching out for extended improvisational flights, the trio delivers a series of brief blasts, each brimming with musical incident.ĭauntless sonic explorers, SPU continues a relentless search into the mysteries of sound. Ecstatic, roiling and utterly unpredictable, the music flows from three distinct musical personalities united by “the idea of infinite love, the idea of breaking through to the other side through sonic power and beauty,” says Mazurek, a veteran disrupter of genre conventions. A potent program of new material honed during a 2012 North American tour, “Beija Flors” captures an ensemble hitting a fierce creative stride. In its latest incarnation, SPU is a power trio and a post-modern orchestra rolled into one, marked by glistening sonic textures, seductive eletronica beats, unabashedly beautiful melodies, an expansive improvisational palette and fiercely gleeful interplay. The group is an electronica-laced Tropicalia funhouse, a secret passage between Chicago’s volatile avant garde jazz scene and Brazil’s teeming creative capital.įeaturing Chicago maestro Rob Mazurek on cornet, harmonium and various effects, and São Paulo’s Guilherme Granado on keyboards, synths, sampler and vocals, and Mauricio Takara on percussion, cavaquinho and electronics, São Paulo Underground delivers its fourth revelatory album Beija Flors Velho E Sujo. Beija Flors Velho E Sujo is the fourth release by São Paulo Underground.